Online Academy for Audio Engineering & Music Production
Many sound examples demonstrate the impressive possibilities of this effect sound for your mixes.
Find out how the legendary reverb sound was developed and in which productions it has successfully been used.
Sometimes, a vocal mix needs exactly this plug-in trick to make your production sound perfect.
Artificial intelligence is the trending topic of the moment. With ChatGPT or the “new” Beatles song, it’s become a subject of discussion in the general public.
Audio engineer Dennis Ward (Helloween, Angra, Primal Fear) analyses the metal song “Not the End of the Road” by KISSIN’ DYNAMITE.
Audio engineers Jochen Weyer and Hilton Theissen analyze the two mixes of Peter Gabriel’s new album “i/o” with a focus on sound and production.
Audio engineer Dennis Ward (Helloween, Angra, Primal Fear) analyses the metal song “Lux Æterna” by Metallica. From this video you will also learn how to make a snare sound bigger without adding too much sustain through reverb.
Platinum awarded producer and HOFA-College tutor Dennis Ward (Helloween, Angra, Primal Fear) analyses the metal song “Shotgun Blues” by Volbeat.
At least since Apple Music added the category “Spatial” to its program, immersive music has been on everyone’s lips… or rather, on everyone’s AirPods, earbuds,
Whether it’s music, film or game audio – anyone involved in sound production will sooner or later have to deal with stems. They form an
The most common question asked by producers in the electronic dance music scene is probably: “How do I bring my music out of the studio
Joe Barresi is one of the leading exponents of the alternative rock, metal and punk music genres in the world of music production. During his
Marc Urselli, chief house engineer for the historic & legendary recording studio EastSide Sound, has been a guest in a recent studio talk with HOFA tutor
Good preparation makes the perfect recording In many musical genres, good preparation – or pre-production – can contribute significantly to the quality of a recording.
With the increasing use of Dolby Atmos distribution formats, more and more music creators, studio operators, labels and engineers are asking themselves whether the format
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