Online Academy for Audio Engineering & Music Production
Mixing and mastering engineer Christoph Thiers (Robin Schulz, Seal, Moby, Ray Dalton, Scooter) talks about the latest developments and the key technical principles in 3D audio in an interview with HOFA-College.
3D or immersive audio is becoming an integral part of modern audio and media production. Today, in addition to stereo, an immersive sound experience is expected in many fields. Formats such as Dolby Atmos provide exactly that: sound is no longer perceived merely in the horizontal but is placed in three dimensions within a surrounding space.
Learn more about miking for Dolby Atmos and how to create stunning 3D recordings.
At least since Apple Music added the category “Spatial” to its program, immersive music has been on everyone’s lips… or rather, on everyone’s AirPods, earbuds,
With the increasing use of Dolby Atmos distribution formats, more and more music creators, studio operators, labels and engineers are asking themselves whether the format
As Apple announced in a press release on May 17, the entire lossless Apple Music catalog is now available in to all subscribers of the
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